Category Archives: Vintage Home

Every Plate Tells a Story

Marion by Mayer China

At the turn of the last century, the potteries along the Ohio River were working overtime to fulfill rapidly increasing orders – bricks for streets, clay products for drainage, durable toilet wares and dinnerware. The potteries had developed new production methods and importantly for consumers, white ware replaced yellow ware. There was a celebratory air in the potteries shared by all.

Glass and Pottery Salesman 1921

In Beaver Falls, the annual holiday loaf was brief. Indeed, the customary holiday inactivity which extended from December 24 to January 3 gave way to a short holiday break. The economic boom was no less evident on the streets of cities. Two entrepreneurs,  Joseph Horn and Frank Hardart, opened a luncheonette in Philadelphia automated equipment imported from Germany. City workers with little time for lunch filled the restaurants – they claimed one out of sixteen people ate once a day in a Horn & Hardart.

Two entrepreneurs,  Joseph Horn and Frank Hardart, opened a luncheonette in Philadelphia with automated equipment. City workers with little time for lunch filled the restaurants.  Soon, Horn & Hardart prepared food for carry-out by the consumer.

The owners did not cut corners – they offered fresh food prepared carefully. In The Automat: Birth of a Fast Food Nation, Christopher Klein writes:

While Horn & Hardart Automats delivered food quickly, meals were made from scratch using fresh, high-quality ingredients. Items were prepared shortly before they were eaten, and food was not allowed to linger overnight. Freshly squeezed orange juice that sat for two hours was poured down the drain.

Back along the Ohio River, Mayer China was producing Marion for the new automats in New York. Marion is an Art Deco teal transferware pattern. The simple design is charming, but not cloying. It is warm and comfortable not commercial.

The resplendent surroundings of the Horn & Hardart Automats—with marble counters and floors, stained glass, chrome fixtures, ornately carved ceilings and Art Deco signage—more resembled Parisian bistros than sterile, dingy fast food outlets. Food was served on real china and eaten with solid flatware.                                      Automat: Birth of a Fast Food Nation

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An American Classic: Diner Coffee Mug

Classic, curvy, heavy and durable coffee mug. The kind used in the local diner for years. From that less than glamorous beginning, mugs like these have become icons of the past. They were made to endure over time – in short, they don’t make them like this anymore.
– The lines were hand drawn – no two mugs are the same.
– Not poured into a mold, hand-fashioned on a wheel
– Vitrified by high temps, fired at 2200 degrees, the glaze fuses with the clay to form glass – resistant to stains, safe for the dishwasher.
– Because of the weight and thickness, this mug will keep your hot beverage warm for just a bit longer.

Produced by Sterling China Wellsville Ohio in the 1930s; the stamp is very early.

Condition: This is a beauty. Very light wear on the bottom rim; glaze is gorgeous. A keeper.

Measurement: 3 3/4″ H. x 3 3/8″ D. x 4 1/2″ Overall Width including handle

Weight: 1.25 pounds

 

Available at http://etsy.me/2f9xlKg

Classic Restaurant Ware – The Green Crest Border

If there is one pattern that defines restaurant ware then perhaps, a green crest border would find a place in the top three patterns. But still, it is not easy to find in quantity these days. But sometimes, a tall stack of these old diner dishes appears in a dusty old basement or the back room of a restaurant. Like these. . . . stacks and stacks of plates.

Green Crest Restaurant Ware

 

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Cozy Up to Vintage Handwoven Textiles

Is there a better way to add bright beautiful color to a corner or a sofa or a bed then with a colorful handwoven textiles? From hand crocheted afghans to hand woven Saltillo blankets – it seems like their color and beautiful details add so much to any environment. Especially since no two pieces are exactly alike.

In the winter or a chilly night in any season, a pile of blankets is comforting. On one of those nights, when hibernating seems like part of the natural rhythm of life . . . grab an afghan or a blanket, pick up that book or maybe even, watch the final season of Downton Abbey.

A stack of vintage textiles - runners, rugs, afghan and Saltillo blankets.

A stack of vintage textiles – runners, rugs, afghan and Saltillo blankets.

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Rare Vintage Woven Wicker Picnic Basket

Rare Red-Man Vintage Picnic Basket

Rare Red-Man Vintage Picnic Basket

 

This picnic basket is supported with an oak frame and split oak base; double-wooden handle and brass tacks and hinges. The woven wicker top is supported by fiber board. Notice the diamond accent also woven in wicker. This basket is a real beauty.

Ohio River Pottery: Black and White Restaurant China

Call it what you will . . . Retro Diner, Restaurant China or Restaurant Ware. To my eye, these plates look fresh and modern. Black is back but did it ever fade away?

The scalloped edge brings a cottage in the country feel. The bold black thick border looks clean and contemporary. Add to a collection or start a collection with these pieces. They will be with you a long, long time.

Adding a few photographs so that you can see them all together and on their own.

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Hard to choose a favorite when I favor them all . . .

 

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Shenango China Plate, Black Arrows and Circles on White

True Romance: The Perfect Picnic Spot

“Let’s have a picnic.”  Yes!  Gather the supplies and pack the food. The adventure really begins once we are all in the car. We must find the “perfect” picnic spot. At first, we pass places that are not shady enough, parks with too many people or for one reason or other they are “not quite right.” As time passes and the sun wanes, boredom sets in and hunger prevails, not-so-perfect picnic spots look so much better – even you might say, perfect.

My favorite book describing the hunt for a perfect picnic spot is “The Bears Picnic” by the Berenstain Brothers. Even though it has been a long long time since I have read it to a child, whenever I think about picnics, I think about the bears’ picnic. I enjoyed reading another take on this book at Write Run Repeat. The perfect spot,  of course, is very close – no need to travel at all  – a backyard picnic is a joyful idea.

http://writerunrepeat.com/tag/berenstain-bears/

Bears Picnic

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A New Look for a Vintage Filigree Vanity Tray: Mason Jars and Milk Glass

I often wonder about the new homes for the vintage treasures that we send. Taryn paired a 1950s mirrored filigree vanity tray with painted ball jars and then added a glass knob.  . . . what a great new look for a vintage tray.

Vintage Filigree Mirrored Tray with Vanity Jars. Ball Jars painted white - Voila! New use for Ball Jars.

Vintage Filigree Mirrored Tray with Vanity Jars. Ball Jars painted white – Voila! New use for Ball Jars.

Russell Wright Chartreuse Salt and Pepper Shakers – For You

All that is needed to understand the beauty of  ergonomics is to hold the salt and pepper shakers designed by Russel Wright for Steubenville in your hands . . . to hold them is to love them. They fit the hand so perfectly.

And we would like to give you that opportunity. We are giving away this set of chartreuse Russel Wright Salt and Pepper Shakers.

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Ohio River Pottery: Shadows by John Gilkes for Taylor, Smith & Taylor

The ink was barely dry on his master’s thesis when John Gilkes accepted the position of Lead Designer for the Taylor, Smith Taylor Pottery. Gilkes, under the tutelage of Arthur E. Baggs, the renown potter and professor of ceramics at Ohio State University, researched production techniques for new dinnerware shapes. Innovation was paramount to the potteries that had enjoyed success along the banks of the Ohio River. Especially in light of the heightened competition from the Asian marketplaces and the new attraction of plastics to homemakers.

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Restaurant Ware: Warwick China Company, Wheeling, West Virginia

WarwickChina-1936sm

Warwick China Company enjoyed a long history – over sixty years producing decorative pieces, fine dinnerware and finally, vitrified china. According to their catalog ca. 1940s, they produced “Vitrified China for Hotels, Clubs, Restaurants, Institutions, Steamships, Railroads, and Hospitals.”  No doubt, their entry into china production for commercial accounts was one way in which the Warwick China Company hoped to keep the kilns firing and so many residents of Wheeling employed. After all, Wheeling was one of the great manufacturing centers in the nineteenth century. Sadly, this manufacturer closed in doors in 1951.

Warwick had produced some of the most beautiful china – highly decorated and complex pieces. They were one of the few American potteries to attempt the manufacture of flow blue. Their expertise was well known in the pottery world. Wheeling of course possessed all of the natural assets necessary to produce, market and ship wares. The chamber of commerce of Wheeling announced that Wheeling was at the crossroads for manufacturing and shipping. Most American pottery was manufactured in the Ohio Valley along the mighty Ohio River. And as a consequence, Wheeling certainly played an important part in the history of Ohio River Pottery.

Map from Chamber of Commerce Brochure

Map from Chamber of Commerce Brochure

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Ohio River Pottery: Russel Wright for Steubenville Pottery, American Modern

The dinnerware designed by Russel Wright is included in the rather broad [and vague] category, Mid Century Modern.  Russel Wright designed the new line of American Modern Dinnerware in the 1930s. His designs were, in part, a reaction to the formality of the late Victorian dinner table. Many courses served with service changes that required “help” in the kitchen. A way of living,  that was certainly at odds in the 1930s when many could no longer afford imported fancy serve ware or a household staff to serve. His stated intent was to bring design to everyone – American Modern would become the best selling dinnerware in American history.

His design took another turn; the post modernist turn. He looked to the form and function of each piece, first, and then applied glazes that reflected the natural world. You might even say, he used organic shapes and colors that soothed a generation in an era of unsettling news –  economic downturns, political unease and total war on a global scale. As much as his design fascinates, his later avocation to restore land that included abandoned quarries near the Hudson River inspires me. I plan to visit . .

The first piece of Russel Wright that I found was in a box in an abandoned trailer. Although I didn’t know who made the piece, I was captivated by the color and shape. I soon discovered the pitcher was manufactured by Iroquois China and designed by Russel Wright. The pitcher is definitive of Wright’s design – curves that do not end. There are no hard edges. Truly wonderful to hold and behold.  And the color  . . .  drawn from the forest at sunset.

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